Which Section of Passage 1 Has a Point of View?

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Last Updated on September 16, 2022

Which section of passage 1 has a point of viewpoint? The last sentence, The unnamed speaker, The matron, and Choice C have a point of view. Which part of the passage has a point of view? Choose the right one. This article will help you to answer the question. There are many options for a point of view. Read the passage and make a judgment about which part of the passage has a point of view.

Choices C and E have a point of view

The passage’s theme of repeated warnings isn’t particularly convincing when it comes to choice (D). It does, however, support the claim that humans are unable to understand abstract decisions by those in power, nor can their hearts be moved by strange things. Hence, we should choose Choice (E) as our answer. The passage focuses on the effects of repeated warnings on the listener, but does not address the impact of Glass’s use of popular elements on other composers. So, if Choice (C) and Choice (E) are correct, the passage doesn’t mention the effect of the use of popular elements on Glass’ reputation.

The last sentence

The last sentence of passage 1 has a pointed point of view. The author uses the word “devoured” in a sarcastic way to emphasize her point and more clearly directs her criticism toward landlords. The author’s point of view is not limited to babies, but extends to landlords and their policies that promote deprivation and poverty. This last sentence is particularly effective because it shows the author’s target.

Another way to recognize the point of view is by looking at the language of the piece. If the author is a first-person narrator, the last sentence of passage 1 has a point of view. When the narrator explains something in the future, he is pointing to that future event. When a character’s thoughts are described in a passage, the author shows us that his or her point of view is omniscient.

For the author of passage 1, making driving more inconvenient can limit the negative effects of suburban sprawl. Inconvenient and long commutes are two factors that slow the growth of suburbia. From an environmental standpoint, this goal is important. As a result, the author argues that reducing commute time can make drivers more productive employees. Furthermore, reducing commute time is good for the environment.

In passage 1, the author’s point of view is made clear in the last sentence. He suggests that self-rule is a value that all human beings share instinctively. Furthermore, it is a value that God never created humans so low as to welcome foreign rule. Thus, a national sovereignty is better than a foreign one. In short, the writer is trying to make a point of view by describing himself.

The unnamed speaker

When reading passages, you may notice that the speaker has a point of view. This is because the speaker does not identify himself or herself, and his perspective adds to the description of events. Similarly, when reading passages written in the first person, the speaker tells the story from his own point of view. But when the speaker’s point of view is not known, the reader is forced to assume it.

Point of view is a literary device that provides readers with a way to better understand a story. It creates a platform for the reader to understand the story and defines the emotional reactions of the characters. It also generates an analytical lens, which filters out the details of the passage and the character’s actions. The reader must investigate the narrator to fully appreciate the narrative’s message.

The matron

The passage presents the matron’s point of view in two different ways. She is mentioned twice, both when she gives Maria permission to leave early and when she pays a compliment to her. This suggests that Maria has a positive attitude toward the matron, but this view is also not credible given the context of the passage. The matron and Maria are unlikely to be close friends. Thus, the second option is not correct.

The African sculptor

In the passage, “The African sculptor in the first section has a point of view,” the author discusses the feelings evoked by an African sculpture. This language, a “common plastic language,” can be understood as a form of sculptural jargon. The African sculptor, for example, was highly trained and followed rules without even thinking about them. He follows these rules without considering his own limitations – just like a pianist performs a concerto without consciously thinking about the notes.

Many critics of African art cite tribal names for the differences in styles between the two continents. But the concept of tribe has multiple problems. Often, tribal names refer to languages spoken by a particular community, political entities, or other types of grouping. Furthermore, the boundaries of a people and their tribal names do not coincide with each other. As a result, the concept of tribe cannot explain the stylistic variety found in ancient art from African nations.

The aesthetics of early twentieth-century African sculpture influenced the development of modern art in Europe. In the 1870s, avant-garde artists, including Henri Matisse, combined the highly stylized treatment of the human figure found in African sculpture with the styles of Cezanne and other post-Impressionist painters. These artists’ work often displayed the sculptor’s point of view.

About The Author

Wendy Lee is a pop culture ninja who knows all the latest trends and gossip. She's also an animal lover, and will be friends with any creature that crosses her path. Wendy is an expert writer and can tackle any subject with ease. But most of all, she loves to travel - and she's not afraid to evangelize about it to anyone who'll listen! Wendy enjoys all kinds of Asian food and cultures, and she considers herself a bit of a ninja when it comes to eating spicy foods.